2/27/2024 0 Comments Nancy simon santa barbaraTelevision’s enduring obsession with high-street shops around Christmas time is revived for this one-off that grants the production team access to development kitchens and boardrooms, shop floors and store rooms. This grim documentary concludes with the Mexican government launching a new investigation into the abduction of 43 students four years earlier while the macabre discoveries implicate drug cartels and corrupt officials, justice feels a long way off. One of the children in that classroom was Douglas A Blackmon, a future Pulitzer Prize winner for Slavery by Another Name he talks to locals about the ways in which some lives were transformed while others remained stubbornly the same. Integrating Mississippi Schools: the Harvestįifteen years after the Supreme Court ruled that racial segregation in US public schools was unconstitutional, the first classroom in Leland, Mississippi was fully integrated in 1969. Nutcracker figures, wreaths and lanterns are among the items they pull together. Stacey Solomon returns for her second annual crafting demonstration, roping in her sister and four children to throw a party for a group of volunteers. Amid suspicions of Satanism, Jo struggles with grief and Farid rubs locals up the wrong way. This smart, atmospheric Canadian thriller riffs on the true-crime podcast craze in its tale of Jo (Madison Walsh) and Farid (Michael Musi), who travel to a small town in Newfoundland to dig into a 1989 murder case. With a little more freedom for a still impressive cast, The Crown may yet redeem itself (and secure its legacy among TV greats) over these final six episodes. But some of the series’ most effective moments have been the quieter ones, however apocryphal the events they depict. On the surface, the wedding of Prince Charles (Dominic West) and Camilla (Olivia Williams), Elizabeth II’s (Imelda Staunton) Golden Jubilee and the burgeoning romance between Prince William (Ed McVey) and Kate Middleton (Meg Bellamy) – described by creator Peter Morgan as “riveting” – offer less immediately obvious drama. Despite Elizabeth Debicki’s persuasive performance as the erstwhile People’s Princess, this is probably for the best – although it may be wise not to rule out one final doe-eyed cameo from beyond the grave. This final series, thus far overshadowed by Diana’s final years and death, will move on from that intense period. Occasional bright spots notwithstanding, The Crown is a saga which has gradually lost its lustre since the glory years of Matt Smith, Vanessa Kirby and the peerless Claire Foy, without whom the whole project would surely have foundered.
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